Year
1984
Duration
13'
Category
Piano
Premiere
November 10, 1987
Alice Tully Hall, New York City
Anton Nell, piano
Commission
The William Kapell Piano Foundation
Dedication
Dedicated to Harold Schonberg
Extracted From
Final Alice for soprano (amplified), folk group, and large orchestra (1974-75)
Tags
Alice Work
Buy Score
Boosey & Hawkes

Two events conspired to bring about Virtuoso Alice (1984), my first piano composition in more than twenty years. One was the commissioning request from Michael Sellars, director and founder of the William Kapell Piano Foundation, for a work to celebrate the grand, romantic tradition of piano playing. Another was an evening spent listening, for the first time, to rare recordings of legendary "golden age" pianists—Hofmann, Friedman, de Pachmann, Rachmaninoff, et al. So moved was I by the expressive idiosyncrasy of their playing—the unexpected, extravagant rubati and the breathtaking, effortless-sounding technical feats—that I decided to compose a piece memorializing and exploiting such pianistic virtues. Simultaneously, the idea of a paraphrase came to mind. The Harvard Dictionary of Music defines paraphrase as a "reworking and free arrangement of well-known melodies, such as Liszt's concert paraphrases of Wagnerian operas.'

In Virtuoso Alice, I chose a melody of my own for this elaboration or "free arrangement"the "Acrostic Song" from Final Alice, written in 1976 for soprano and orchestra. The first part of Virtuoso Alice, though pianistically elaborate and highly embellished, follows the path of the original song quite faithfully. The second part, "Fantasia," is more freely associative and ranges through distant keys with bravura embellishment. This leads to a cadenza, then a reminiscence of the opening Acrostic theme and finally a repeated bell-tone, tolling an insistent, dissonant F-natural amid swirling, rising A major scale figures. Even as the motion quiets and the piece ends, this F-natural continues and is never resolved—a gentle, stabbing pain, throbbing on and on.

Virtuoso Alice is dedicated to Anton Nel, who premiered it.

- David Del Tredici, 2001

"The evening's highlights were pieces that didn't strictly toe the party line. Mr. Sessions's students included enfants terribles like David Del Tredici, whose "Virtuoso Alice," here performed by the composer, should be programmed by star pianists. It is large-scale, heart-on-the-sleeve music that keeps winking at the listener, archly cocking its head as if to say, "Call me a guilty pleasure; I dare you," and then doing something startling and wonderful and fun."

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Recent & Upcoming Performances (1)

Dec 3, 2016 8:00 pm
Music on the Edge: David Del Tredici 80th Birthday Concert
Warhol Museum
117 Sandusky Street
Pittsburgh, PA
  • Eric Moe, piano
  • Robert Frankenberry, vocal
  • Roger Zahad, violin

Celebreting David Del Tredici's 80th birthday (March 2017), Music on the Edge presents The Last Violin, Virtuoso Alice, Ballad in Yellow and selections from Gay Life and Brother.

Recordings (3)

  • Anthony DeMare: Out Of My Hands cover image

    Anthony DeMare: Out Of My Hands

    More Info

    Anthony DeMare: Out Of My Hands

    2005, Koch International Classics

    Works


    Performers

    • Anthony DeMare

  • Scenes From Childhood / Donna Lee cover image

    Scenes From Childhood / Donna Lee

    More Info

    Scenes From Childhood / Donna Lee

    2002, Azica (71220)

    Works


    Performers

    • Donna Lee, piano

  • Piano Music by Del Tredici, Perle and Thorne cover image

    Piano Music by Del Tredici, Perle and Thorne

    More Info

    Piano Music by Del Tredici, Perle and Thorne

    1992, New World Records

    Works


    Performers

    • Michael Boriskin, Piano

Publications (1)